Our Hands, Our eyes
2026, Earthenware clay, glass and agate beads.
As a creative facilitator working within a 30-year-old arts and mental health charity, I have witnessed how artists form deeply personal and emotional relationships with the materials they use.
Over years of community engagement, the charity has accumulated a rich collection of donated materials, from ceramic tiles and paints to books, charcoal, and, notably, beads for jewellery making.
These beads have circulated through many workshops, projects, and hands. These materials carry traces of collective use, memory, and care.
I found myself returning to this bead collection, not only for its visual richness, but for what it carries: memories, gestures, and the quiet presence of those who have worked with these materials before. When beads were reintroduced in workshops, artists who had worked with them before often began to reminisce. Touching and selecting familiar beads sparked memories of past projects, shared experiences, and relationships formed through making. In these moments, beads become more than objects; they acted as catalysts for collective memory and connection.
My thinking about beads and memory was further inspired by a story of archaeological discovery at the ancient site of Wari-Bateshwar in Bangladesh.
Article from Archeology Magazine: Letters from Bangladesh: A Family’s Passion
In that letter from the Archaeology magazine, a father and son spent decades uncovering ancient artifacts, including glass beads, from a site believed by some to have been a bustling trade centre mentioned by the Greco-Roman geographer Ptolemy.
These beads, unearthed from the land after centuries, were once part of vast trade networks that moved across rivers, coastlines, and oceans. Their journeys were shaped by waterways that enabled exchange and by the land that eventually held and preserved them. This narrative shows land and water not as passive backdrops, but as active forces in the movement, circulation, and re-emergence of material culture - shaping journeys, exchanges, and relationships.
In this context, land and water become central to how memory is formed and shared. Water facilitates movement, carrying objects, ideas, and people across distances. While land holds, buries, and safeguards traces until they are rediscovered. Together, they shape the rhythms of loss and recovery, separation, and reconnection. The act of unearthing beads from the ground mirrors the way memories resurface through handling familiar materials in communal creative spaces.
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture
Preliminary: Unfired sculpture